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The Yugoslav Art Space: Denegri in the First Person
Learning from Denegri
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Design as an Attitude
Alice Rawsthorn
A field guide to contemporary design – New edition
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An uncompromising picture of the art world
Jack Goldstein et la CalArts Mafia
An uncompromising picture of the art world
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Resistance Anew
What Resistance Means Today?
Art Theory
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Résister, encore
What Resistance Means Today?
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Museum of the Future: Now What?
Rethinking the role of the museum today
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Ce que le sida m’a fait
Elisabeth Lebovici
Second edition of this acclaimed volume
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Olivier Mosset: Retrospective
Olivier Mosset
An extensive overview of Olivier Mosset's six-decade painting practice
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Art contemporain africain : histoire(s) d’une notion
A polyphonic genealogy of the concept of contemporary African art
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Catalogues, Biennales & Collections
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Minor Cinema
An archeology of Swiss experimental film
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(Curating) From Z to A
Jens Hoffmann
An idiosyncratic investigation of curatorial practice
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A Brief History of Curating
Hans Ulrich Obrist
11 interviews with curatorial pioneers
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L’Art d’exposer
Carlo Scarpa
A pioneer in exhibition making
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White Cube
Brian O'Doherty
Inside the white cube
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How to Do Things with Art
Dorothea von Hantelmann
The societal efficacy of art
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Entrée en matière
Hubert Damisch
Jean Dubuffet
Friendship and exegesis
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Brève histoire des musiques actuelles
Hans Ulrich Obrist
An anthology on new musical forms in the 20th century
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A Brief History of New Music
Hans Ulrich Obrist
An anthology on new musical forms in the 20th century
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Anxiety & Depression
Scott King
An unusual self-help manual
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Art Is a Problem
Joshua Decter
An anthology of essays
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After Euphoria
Jeff Derksen
Questioning neoliberalism
Art Theory
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Nuggets
Dan Graham
Critical dialogues
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Black People Are Cropped
William Pope.L
Working in (the) color
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More Than You Wanted to Know About John Baldessari. Vol. 1
John Baldessari
Baldessari's writings
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Booktrek
Clive Phillpot
Artists' book history
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More Than You Wanted to Know About John Baldessari. Vol. 2
John Baldessari
Baldessari's writings
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Ruhestörung
Disturbing public space
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Huit textes. Vingt-trois entretiens
Ed Ruscha
Writings and interviews
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Contemporary Art Theory
Igor Zabel
The East, the West, and between
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Fairytale: A Reader
Ai Weiwei
The Documenta project reader
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Parachute: The Anthology [Vol. I]
An anthology in 4 volumes
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Paul Thek in Process
Paul Thek at Moderna Museet 1971/72
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The Ruin of Exchange
John Miller
The production/reception dialectic
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Artist-Run Spaces
Nonprofit collective organizations in the 1960s and 1970s
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Between-the-Images
Raymond Bellour
Art and moving images
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New Relations in Art and Society
An anthology on socially engaged art
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Everything Is In Everything
Rancière and aesthetics
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Pierre Keller
New monograph
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It’s Not a Garden Table
Art and design in the expanded field
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Wohin mit der Skulptur?
Art dis-location
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Texte zur Kunst 1990—1998
Genealogy of a critique
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Slavs and Tatars
The legendary Azeri magazine
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Estômago Animal
Rui Cardoso Martins
Animal stomach
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Ta dyo dwmatia
Aristide Antonas
The two rooms
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La Décommande
Emmanuelle Pagano
The Cancellation
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Sgrafo vs Fat Lava
The art of ceramics
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Nuove indagini di un formicaio
Tiziano Scarpa
New investigations of an ant nest
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Så som du hade berättat det för mig
Jonas Hassen Khemiri
As you would have told it to me (sort of)
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The Encyclopedia of Fictional Artists and The Addition
A-Z of fictional artists
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Premières critiques
Marie de Brugerolle
Critical anthology
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Atlas of Transformation
Changing the rules
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Rive gauche/Rive droite
Art drift
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Marcel Duchamp and the Forestay Waterfall
A Duchampian discovery
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Black Sphinx: On the Comedic in Modern Art
The comedic in art
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Between Zones / Zwischenzonen
The art of time
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Quel cinéma
Jean-Michel Bouhours
Avant-garde cinema
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Sophie Ristelhueber
Catherine Grenier
Interview
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A Post-Olympic Beijing Mini-Marathon
Hans Ulrich Obrist
The Beijing report
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Time Action Vision
Christian Höller
Engaging with theory
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Bemerkungen zur Skulptur
Robert Morris
Pioneering reflections on sculpture
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Promises of the Past
A new perspective
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The Storyteller
The art of storytelling
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Avant-garde in the Bloc
Anthology
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Everything You Always Wanted to Know About Gallerists But Were Afraid to Ask
Andrea Bellini
Interviews with gallerists
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Typeface as Program
ECAL
Typography and exercises in scripting
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Of Bridges & Borders
Thematic anthology
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Le Grand Déchiffreur
Richard Hamilton
Deciphering Marcel Duchamp
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Reconstructing Swiss Video Art from the 1970s and 1980s
From open reel to multichannel
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Deterioration, They Said
The art of de(con)struction
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Utopics
A glossary
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Musical Paintings
Malcolm McLaren
Karaoke Culture
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Re-Visionen des Displays
A reader about exhibition display
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AC|DC
Bluring the line
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Voids
The politics of emptiness
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John Armleder: Jacques Garcia
A conversation
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Continuing Dialogues
Re-reading Igor Zabel
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The Provisional Texture of Reality
Susan Hiller
Art's sixth sense
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Collecting Contemporary Art
The art of collecting
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Une femme qui…
Yvonne Rainer
A woman who …
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Cooling Out
Questioning gender identity
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Aesthetics of Risk
Volume III of the SoCCAS series
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Theft Is Vision
Bob Nickas
Looking at art
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Pre-Specifics
Design issues today
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Kunst Stafette
Artists invite artists
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It’s Time for Action
New feminist role models
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Individual Methodology
Harald Szeemann
In the curator's archives
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Cellar Door
Loris Gréaud
An opera of a new genre
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Stéphanie Moisdon
Criticism as fiction
Art Theory
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Warhol’s Dream
Saul Anton
Warhol's dream
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Etat des lieux
Yves Aupetitallot
The future of “sites of production” for contemporary art
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Chronologie
Daniel Birnbaum
It's about time
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Argument son
Diedrich Diederichsen
From Britney Spears to Helmut Lachenmann
Art Theory
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…dontstopdontstopdontstopdontstop…
Hans Ulrich Obrist
Critical writings
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Merz World: Processing the Complicated Order
The legacy of the
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Anecdote
Anecdote and contemporary art
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Bimboplastie (Poolfiction & Beyond)
Patrick Weidmann
A literary experiment
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By the way, did I ever tell you …
Sibylle Berg
A novel
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Kunst und Öffentlichkeit
Art in the public realm
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Am Rande der Sprache / A la limite de la langue
The Fourth Power
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Album
Switzerland at the 52nd Venice Biennale 2007
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Accélération
The speed of art
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Plastic
Plastic is fantastic!
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We Are Knights on the Trajectories of a Post-everything Era
Elodie Pong
Art messaging
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Proxemics
Liam Gillick
Negotiating with the object of art in the 1990s
Art Theory
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Institutional Critique and After
Volume II of the SoCCAS series
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While Interwoven Echoes Drip into a Hybrid Body
An anthology on the new performance-sculpture crossover
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Wer drei Mal die gleiche Bar betritt
Judith Kuckart
Shirana Shahbazi
The fabric of displacement
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The Velvet Grind
David Robbins
A discussion of art and entertainment and their conflictual relationship
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Cryptozoology
The quest for the unknown
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Double Face
Art and fashion
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Ethnic Marketing
Art and globalization
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Out of Beirut
Work by artists emerging from Beirut today
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History
Shahrzad
The art of sweeping statements
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Turkish:
Adnan Adam Onart
A lexical tour de force
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Yama
The Swiss Pavilion at World Expo 2005 in Aichi (Japan)
Art Theory
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Musée CoCo
Mapping collaboration in Swiss art
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Hello Spiral!
Francis Baudevin
Art & music
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When Humour Becomes Painful
The power of laughter
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Recent Pasts
Volume I of the SoCCAS series: The art scene in California since 1990
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Next Flag
Positions in contemporary African art
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Interviews, Conversations, and Chit-Chat
Mike Kelley
Kelley in conversation with other artists
Art Theory
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The Need To Document
The turn of the documentary
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Space Invaders
Spatial concepts in painting
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Reprocessing Reality
An anthology exploring the notion of reality
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The Future Has A Silver Lining
Art and glamour as spaces for transformation of the self
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The Ice Cream Social
David Robbins
An investigation into the relationship between art and entertainment
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Collection Diary
Bob Nickas
The New York-based curator becomes a collector
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Mining for Gold
Thomas Lawson
An account of the rise of the 'Picture Generation'
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