Lord of the Fucking Wasteland (Gold Edition)

$ 1,424

Weight1 kg
Edition size :

33

Dimensions :

100 cm x 76 cm (39.37 in. x 29.92 in.)

Paper :

BFK Rives 300 g.

Technique :

5-color lithograph printed with Marinoni lithographic press, hand cut.

Co-Edition :

with Air de Paris

Signature :

Signed by the artist, numbered and stamped by our publishing house.

Year :

2021

Collection :

Lithographs

Price :

No prices available for the moment

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For her very first lithograph, Eliza Douglas is proposing three color variations drawn from one of her iconic paintings belonging to the recent “T-Shirt” series first exhibited at Air de Paris in 2020.

To create the works in this series, she has painted photographs of her own well-worn illustrated T-Shirts including the pleats, creases, and shadows. Thanks to the lithographic process, she has thus added a new layer to the circulation and translation of images and words in our contemporary world: from T-Shirt to photograph, from painting to lithograph.

A musician as well as a performer and artist, Eliza Douglas is quoting from Lord of the Wasteland, a song by the American Trash metal band Toxic Holocaust, whose lyrics start with: “We’ve got the flame burnin’ in our hands / We’ve got the atom’s power at our command.”

Wearing such words on your body—soon to be sweating at concert—or hanging them on your wall is nothing less than a blatant statement of power.

Sing it gold, sing it silver, or sing it purple, but sing it powerfully!

Weight1 kg
Edition size :

33

Dimensions :

100 cm x 76 cm (39.37 in. x 29.92 in.)

Paper :

BFK Rives 300 g.

Technique :

5-color lithograph printed with Marinoni lithographic press, hand cut.

Co-Edition :

with Air de Paris

Signature :

Signed by the artist, numbered and stamped by our publishing house.

Year :

2021

Collection :

Lithographs

Price :

No prices available for the moment

PRINT PDF

eliza-douglas-artist

Eliza Douglas

Born in 1984, American painter Eliza Douglas lives and works in Berlin and New York City. Her “meta-paintings”—in which she stages images drawn from artistic, fashion, consumer, and underground cultures—are one possible answer to the question of what painting can be in the 21st century.

Her recent exhibitions include Lord of the Fucking Wasteland, Air de Paris, Romainville (2020); Sex, The Art Institute, Chicago, and Tate Modern, London (with Anne Imhof, 2019); Jewish Museum, New York (2018); Old Tissues Filled with Tears, Schinkel Pavilion, Berlin, and Eliza Douglas Anne Imhof, Galerie Buchholz, New York (both 2017).

Also a musician, performer, and model, she regularly performs and collaborates with German artist Anne Imhof—most recently for Natures mortes at the Palais de Tokyo, Paris, in 2021—and worked with Devendra Banhart, Antony and the Johnsons, and Matteah Baim in the 2000s.

Eliza Douglas is represented by Air de Paris, Romainville, and Overduin & Co, Los Angeles.

Photo credit: Nadine Fraczkowski

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