Set Edition

632 

Weight 1 kg
MAP :

Add color where the world needs peace
1960/2017/2024
Edition of 250
46 cm × 61 cm (18.1 in. x 24 in).
Letterpress printed in 2 colors
Crane’s Lettra, Fluorescent White, 110 cover lb, accompanied by a set of mini colored pencils.
Numbered and stamped “y.o.” at the back of the print, accompanied by a certificate authenticated with the artist’s inkan.

STAMP :

i ii iii Stamp⁠ & EVERYTHING IN THE UNIVERSE is UNFINISHED
2017/2024
Edition of 300
Book: 5.51 in. x 5.51 in. (14 cm x 14 cm)
Print: 5.5 in. x 5.5 in. (13.97 cm x 13.97 cm)
Letterpress print with blind faux perforation on Crane’s Lettra Fluorescent white 104 cover lb paper.
The print comes in an envelope with the artist book by Ono, EVERYTHING IN THE UNIVERSE IS UNFINISHED.
Accompanied by a certificate authenticated with the artist’s inkan.

Collection :

Letterpress

Limited Edition Books

Price :

No prices available for the moment

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To celebrate the new printing of EVERYTHING IN THE UNIVERSE is UNFINISHED, Yoko Ono has partnered with JRP|Editions to create two limited-edition artworks:

Add color where the world needs peace (1960/2017/2024):

Since 1960, Ono has invited participants to add color to canvases and objects. This print combines her “Add Color” initiative with her “Map Piece” works (1962–present), encouraging participants to creatively imagine peace in the world.

i ii iii Stamp⁠ & EVERYTHING IN THE UNIVERSE is UNFINISHED (2017/2024):

The limited edition print “i ii iii Stamp” ( 2017/2024), an artwork by Yoko Ono, incorporates Ono’s 2004 work “ONOCHORD”, a universal message of “I LOVE YOU” transmitted by a code of blinking lights: i for I, ii for Love, and iii for You.

The instructional text written on this letterpress print “This stamp can be used anywhere in the world,” echoes the sentiments of Nutopia, a conceptual country created by Yoko Ono and John Lennon in 1973.
In a joint letter, “Declaration of NUTOPIA”, they envisioned a new country with ”…no land, no boundaries, no passports, only people.”
The print comes in an envelope with the artist book and has been realized to celebrate the new printing of EVERYTHING IN THE UNIVERSE is UNFINISHED, first published in 2017.

Weight 1 kg
MAP :

Add color where the world needs peace
1960/2017/2024
Edition of 250
46 cm × 61 cm (18.1 in. x 24 in).
Letterpress printed in 2 colors
Crane’s Lettra, Fluorescent White, 110 cover lb, accompanied by a set of mini colored pencils.
Numbered and stamped “y.o.” at the back of the print, accompanied by a certificate authenticated with the artist’s inkan.

STAMP :

i ii iii Stamp⁠ & EVERYTHING IN THE UNIVERSE is UNFINISHED
2017/2024
Edition of 300
Book: 5.51 in. x 5.51 in. (14 cm x 14 cm)
Print: 5.5 in. x 5.5 in. (13.97 cm x 13.97 cm)
Letterpress print with blind faux perforation on Crane’s Lettra Fluorescent white 104 cover lb paper.
The print comes in an envelope with the artist book by Ono, EVERYTHING IN THE UNIVERSE IS UNFINISHED.
Accompanied by a certificate authenticated with the artist’s inkan.

Collection :

Letterpress

Limited Edition Books

Price :

No prices available for the moment

PRINT PDF

Yoko Ono

Yoko Ono is an artist, musician, and activist.

Born in Tokyo, 1933, Ono grew up in Japan, with periods spent abroad in San Francisco and New York. In 1956 she settled in Manhattan and began to develop her own art practice.

By 1960 Ono had become a vital part of New York’s community of artists and composers. Over the next decade, she would go on to live and work in Tokyo and London, developing her pioneering practice in art, performance, music, and film, with legendary works including the performance Cut Piece, and her foundational book of instructions, Grapefruit, both 1964. By 1968, Ono began collaborating in art, music, and peace activism with her partner and husband John Lennon.

As a singer and songwriter, Ono has released thirteen solo studio albums and nine collaborative albums, including the 1981 Grammy award winning Album of the Year, Double Fantasy.

Ono’s work continues to be honored with numerous exhibitions in some of the world’s most prestigious international venues, including The Museum of Modern Art in New York (2015) and Tate Modern in London (2024).

In a career spanning more than seventy years, Ono’s work as an artist and activist remains singularly relevant and continues to challenge the boundaries of artist and audience.

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