Full Lovers Moon, II

$ 6,248

Weight1 kg
Edition size :

A series of 6 unique monotypes.

Dimensions :

22 in. x 21.62 in. (55.88 cm x 54.92 cm)

Paper :

Somerset satin, white 300 gsm.

Technique :

Monotype

Signature :

Signed, dated and titled by the artist.

CO - EDITION :

with KARMA.

Year :

2024

Collection :

Monotypes

Price :

No prices available for the moment

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As part of a series,
this product is available in different variations.
Full Lovers Moon, II

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SKU: AC-001-FLM-2 Category:
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This unique series of 6 monotypes entitled Full Lovers Moon, is in keeping with Ann Craven’s ongoing fascination with the moon as a subject of her paintings, as observed by the artist her entire life.

Like a mantra prayer, the moon repeats it’s presence, but never stays the same. This particular moon with a ring around it is described by the artist as a lover’s moon — “When you look up at the night sky and see a ring around the moon and are lucky enough to see a color between the moon and the ring, it sets off a feeling inside of universal love and everybody seeing that moon is simultaneously experiencing that love.”

Weight1 kg
Edition size :

A series of 6 unique monotypes.

Dimensions :

22 in. x 21.62 in. (55.88 cm x 54.92 cm)

Paper :

Somerset satin, white 300 gsm.

Technique :

Monotype

Signature :

Signed, dated and titled by the artist.

CO - EDITION :

with KARMA.

Year :

2024

Collection :

Monotypes

Price :

No prices available for the moment

PRINT PDF

Ann Craven

Ann Craven (b. 1967, Boston) makes self-reflexive paintings that comment on devotion, loss, and the immortalizing nature of her medium. Primarily using unabashedly high-key colors, she paints and repaints her key subjects—animals and flowers often modeled after those found in vintage books, postcards and the internet  — and the moon as observed by the artist en plein air.

Craven’s emotional conceptualism inheres in these affectively charged repetitions, each of which is accompanied by an indexical canvas Palette used for the respective work’s color mixing and archived by the artist, like her Stripes, for her future reference. Like On Kawara, her oeuvre is a catalog of time passed; like Agnes Martin, evidence of her hand is the true content of her work. With each rearticulation, Craven reasserts her brushstroke as a bulwark against the degradation of memory. Craven lives in New York City.

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Learn more about Ann Craven >

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