Christmas Ornament, Blair Thurman

$ 101

Edition :

Limited Edition

Technique :

Hand-blown glass bauble, painted.

Dimensions :

90 mm x 80 mm x 80 mm

Co-edition :

In collaboration with Ecart Publications.

Certificate :

Includes a Certificate of Authenticity stamped by our publishing house.

Year :

2023

Collection :

Homeware

Price :

No prices available for the moment

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We are pleased to present our first limited edition of Christmas ornaments initiated by John M Armleder. The artist has long been interested in the iconography of Christmas, to which he often refers in his work, from the Christmas songs produced by his music label Villa Magica Records to the Christmas trees he incorporates in his installations. 

JRP|Editions and Armleder have invited six artists to create their own versions of the traditional Christmas bauble for a unique and creative Christmas celebration!

The 6 artists included in this edition are:

  • John M Armleder:

This ornament is a reproduction of a human brain, one of John M Armleder’s most iconic images. He has used it many times since the late 1980s on wall paintings and as sculptures in different materials and sizes. This bauble creates the absurd situation of active brains admiring a shiny sulphurized glass brain, at once decorative and philosophically puzzling.

  • Grégory Bourrilly:

As in a Christmas fairy tale, Swiss artist Grégory Bourrilly downsizes the Earth as a Christmas ornament. It is light, fragile, and requires our utmost care. On the other hand, it is free as a soap bubble, impermanent, and seems to poke fun at frivolous human worries. 

  • Olivier Mosset:

Olivier Mosset takes on the cube, a generic form in the history of abstraction and modern art, from Cubism of the 1910s to the iconic minimalist structures of the 1960s by Tony Smith. Playing with the geometric shape of the bauble (usually a sphere), the artist turns it into its cubic counterpart, with a silver glitter overlay. 

  • Virginia Overton:

American artist Virginia Overton’s design is a delicate adaptation of her sculpture Untitled (Pink Buoys for Venice), originally created for the 2022 Venice Biennale. The original spherical buoys were made of glass in the luminous pink hue of Venetian streetlamps, covered in salvaged fish net and installed in the lagoon at the Arsenale. They were reminiscent of the buoys used by sailors to hold fishing nets, and in this diminutive variation, can now be hung on a Christmas tree. 

  • Mai-Thu Perret with Ligia Dias:

This Christmas ornament is a miniature version of a 2005 life-size papier-mâché sculpture Heroine of the People (Revolutionary), with garments by designer Ligia Dias. It depicts a female revolutionary fighter wearing a uniform and waiting patiently for her execution with a rope around her neck. This fighter is at peace, sitting in the lotus position, with one hand pointing toward the ground, in a gesture known, in Buddhist statuary, as calling the Earth to witness. 

  • Blair Thurman:

Is this a fragile and sophisticated Christmas ornament disguised as a deadly 700g pétanque iron ball, or is it a glass fist in a chrome glove? It embodies a complex relationship with Christmas iconography and highlights how deeply tradition mingles with popular culture. Among Blair Thurman’s references is the 1979 horror/sci-fi movie Phantasm, in which the murdering fiend is a deadly flying chrome ball. 

Edition :

Limited Edition

Technique :

Hand-blown glass bauble, painted.

Dimensions :

90 mm x 80 mm x 80 mm

Co-edition :

In collaboration with Ecart Publications.

Certificate :

Includes a Certificate of Authenticity stamped by our publishing house.

Year :

2023

Collection :

Homeware

Price :

No prices available for the moment

PRINT PDF

Blair Thurman

Blair Thurman lives and works in Hudson, New York. He is known for shaped canvas and neon works; abstraction sourced from vernacular visual culture and deep historical consciousness, strongly rooted in Pop and Minimalism.  Thurman’s formal content ranges from childhood toys and relics, pop songs, automobile culture, and the history of film. Starting with a concept of “less than” painting in the early ‘90s, Thurman showed with Steven Parrino and is part of a bridge of artists working between NY-PARIS-SWITZERLAND with strong ties to monochromatic painting.

Born in New Orleans in 1961, Thurman has a B.F.A. from the Nova Scotia College of Art & Design (NASCAD) and an M.F.A. from the University of Massachusetts, Amherst.  He shows with Gagosian Gallery, New York; Peres Projects, Berlin; and Galerie Frank Elbaz, Paris and Dallas; among others.

Thurman’s Speedway was included in the Unlimited section of Art Basel 2019.  Other selected exhibitions include Bastard Kids of Drella, Le Consortium, Dijon (1999) and Return of the Creature, Kuenstlerhaus Palais Thurn-und-Taxis, Bregenz (2003),both curated by Steven Parrino; Bastard Creature, Palais de Tokyo, Paris (2007); Born to Be Wild, Kunstmuseum St. Gallen (2009); American Exuberance, Rubell Family Collection, Miami (2011); Blair Thurman, MAGASIN Centre National d’Art Contemporain de Grenoble (2014); Flatland : abstractions narratives, Musée régional d’art contemporain (MRAC) Languedoc- Roussillon, Sérignan (2017); Alentour, curated by John M. Armleder, CAB Brussels (2019); None of the Above, 2004-2020 & All of the Above, 2011-2020, curated by John M. Armleder for “It Never Ends,” Kanal Pompidou, Brussels (2020);  Milléniales. Peintures 2000-2020, curated by Vincent Pécoil, FRAC Nouvelle-Aquitaine MECA (2020).

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