Collection :

Anthologies & Art Theory

Editor(s) :

Carla LonziGiovanna Zapperi

Author(s) :

Carla LonziGiovanna Zapperi

Cover type :


Dimensions :

145 x 225 mm

Pages :


Pictures :

113 b/w

Price :

CHF26 / €19 / £16 / $29


Editions :


Publication :

November 2012

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A polyphonic self-portrait

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A polyphonic self-portrait

The life and work of Carla Lonzi (1931–1982) is inseparable from the cultural, political, and social history of Italy in the decades following the Second World War; she occupies a singular position, which today merits reevaluation. A reputed art critic of the 1960s artistic scene, both friend and collaborator of such figures as Carla Accardi, Luciano Fabro, and Jannis Kounellis, she wrote “Autoportrait” in 1969, a “love letter” to the artists and to creation, but also a farewell chorus to art criticism and the art world. The following year she founded Rivolta Femminile, an active feminist collective, thus becoming the central figure of Italian feminism.

This publication of “Autoportrait,” translated into French for the first time, is accompanied by a foreword, and a critical and biographical structure by art historian Giovanni Zapperi, showing the singularity of Carla Lonzi’ s project. Made up of a series of recorded interviews, subsequently transcribed and recomposed to give birth to a particular textual montage, “Autoportrait” is an experimental attempt to reinvent art criticism thanks to a fragmentary discourse and an iconography in which reproductions of works mix with intimate images. An invaluable document on Italian art in the 1960s, “Autoportrait” is a polyphonic book, “a kind of maieutic banquet” to which Carla Lonzi invites us in order to rethink the production of discourse on art and artists.

Under the direction of Patricia Falguières, the “Lectures Maison Rouge” series has as its ambition to offer artists’ and critics’ texts, which simultaneously interrogate museology, exhibition making, and the work of certain artists themselves. Previous titles include the French translation of the “White Cube,” Brian O’Doherty’s seminal text; the intense and erudite dialogue between Richard Hamilton and Marcel Duchamp; and a complete selection of Ed Ruscha’s texts and interviews from 1965 to 2009.

Published with L’Association des Amis de la Maison Rouge, Paris.