Night Swan, VII

$ 7'800

Weight 1 kg
Edition size :

Unique

Dimensions :

28.81 in. × 22.13 in. (73.18 cm x 56.19 cm)

Paper :

Somerset satin, white 300 gsm.

Technique :

Monotype

Signature :

Signed, dated and titled by the artist.

CO - EDITION :

with KARMA.

Year :

2024

Collection :

Monotypes

Price :

No prices available for the moment

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this product is available in different variations.
Night Swan, VII

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SKU: AC-002-NS-7-PRE Category:
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Ann Craven’s Night Swan monotypes expand her ongoing meditation on nature, repetition, and emotional memory through the motif of the swan—a recurring symbol of grace and reflection within her practice.  Keeping with Craven’s lifelong fascination with the moon as a subject of her paintings, each monotype captures the bird illuminated against a deep nocturnal background, where the moon’s concentric glow and the shimmering surface of the water dissolve into painterly abstraction.

“When you look up at the night sky and see a ring around the moon and are lucky enough to see a color between the moon and the ring, it sets off a feeling inside of universal love, and everybody seeing that moon is simultaneously experiencing that love.”

Through the monotype process, Craven translates her painterly immediacy into unique impressions on paper. The Night Swan works embody both stillness and transformation—poetic reflections on cycles of light, love, and recurrence that define her practice.

Weight 1 kg
Edition size :

Unique

Dimensions :

28.81 in. × 22.13 in. (73.18 cm x 56.19 cm)

Paper :

Somerset satin, white 300 gsm.

Technique :

Monotype

Signature :

Signed, dated and titled by the artist.

CO - EDITION :

with KARMA.

Year :

2024

Collection :

Monotypes

Price :

No prices available for the moment

PRINT PDF

Ann Craven

Ann Craven (b. 1967, Boston) makes self-reflexive paintings that comment on devotion, loss, and the immortalizing nature of her medium. Primarily using unabashedly high-key colors, she paints and repaints her key subjects—animals and flowers often modeled after those found in vintage books, postcards and the internet  — and the moon as observed by the artist en plein air.

Craven’s emotional conceptualism inheres in these affectively charged repetitions, each of which is accompanied by an indexical canvas Palette used for the respective work’s color mixing and archived by the artist, like her Stripes, for her future reference. Like On Kawara, her oeuvre is a catalog of time passed; like Agnes Martin, evidence of her hand is the true content of her work. With each rearticulation, Craven reasserts her brushstroke as a bulwark against the degradation of memory. Craven lives in New York City.

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