A READER

Collection :

Monographs & Artists’ Books

Editor(s) :

Benoit BuquetJean-Pierre CriquiLarisa Dryansky

Author(s) :

Anne Moeglin-DelcroixBriony FerCécile WhitingEd RuschaElizabeth A. KesslerJohn TainLinda NordenLisa TurveyMargit RowellMichel GauthierRobert Dean

Cover type :

Softcover

Dimensions :

150 x 210 mm

Pages :

224

Pictures :

30 colors and 30 b/w

Price :

CHF25 / €20 / £16 / $29.95

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Editions :
ISBN :

978-3-03764-538-3

Publication :

June 2021

Order from :

Europe North America U.K.

ISBN :

978-3-03764-546-8

Parution :

June 2021

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Renewing our understanding of Ruscha’s art

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Renewing our understanding of Ruscha’s art

Since the mid-1960s, Ed Ruscha has developed an iconic body of works, simultaneously as a painter, a photographer (with such historical books as “Twentysix Gasoline Stations,” 1963), a filmmaker, and an acute commentator on American culture. Born in 1937 and based in Los Angeles, Ruscha is a central figure of the last few decades and one of the first artists to have introduced a critique of popular culture and an examination of language into the visual arts.

Conceived as a reader to Ruscha’s practice, this publication brings together original contributions and case studies by an international array of renowned art critics and writers including Robert Dean, Lisa Turvey, Cécile Whiting, Jean-Pierre Criqui, Anne Moeglin-Delcroix, Benoît Buquet, Briony Fer, Linda Norden, Michel Gauthier, Elizabeth A. Kessler, Margit Rowell, and John Tain. Among the specific areas discussed and developed in this book are Ruscha’s early drawings, his relationship to literature and the Picture Generation, and the legacy of his artist’s book practice. Figures close to the artist propose their own subjective readings of his work as a way to renew our understanding of it. The volume includes a previously unpublished text by the artist and two portfolios of rarely seen works.

Published with the Centre Pompidou, Paris, and the Terra Foundation. The book stems from an international symposium held in 2015 at the Centre Pompidou, Paris.

The book is part of the Documents series, co-published with Les presses du réel and dedicated to critical writing.